Indeed, in an era when some playwrights have become as famous as the actors in their casts, when the experience of going to the theater, the whole Instagram-the-Playbill moment of it all, is often just as motivating to ticket buyers as the play itself, Greenberg remains one of the few dramatists who’s remained relevant simply for what he’s put on the page.
Aunt Charlotte's Daybook, 1982
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